The next day, Brown told the woman he was heading to Miami. She still believed she’d finish the mural, which her small but growing social media following anxiously awaited, when Brown returned. But days turned into weeks with no contact from Brown. She’d brought another painting to his home, inspired by the concept of Dead Days—a term used in Cook County (Ill.) prisons to describe when prisoners spend more time incarcerated during pre-trial than their eventual sentences—and she hoped he’d share it on social media to raise awareness of the cause. That work was stranded in Brown’s house, she says, and it has not been returned. His various assistants, who had been warm to her for two days, no longer answered text messages. Brown paid her $2,000 for her days of work but otherwise “ghosted” her, she says.
The woman is not pursuing charges or remuneration, though she was bothered by his behavior. She said that friends with whom she had shared details of this incident alerted her to the federal lawsuit Taylor filed against Brown last week.
As for NYF, social media messages and emails sent to Brown and his agent, Drew Rosenhaus, by both the artist and Hanson requesting the $700 payment for the original auction painting, have gone unanswered, according to the artist and Hanson.
“We didn’t want to sue,” says Hanson, “because our mission is all about seeing the good in people and lifting people up. Part of me has to believe that at some point, one of these grown men are going to realize that they shouldn’t be stealing from a charity run by black women benefiting children. I have to believe that.”